Motion Picture Sound Editors (MPSE) Announces Nominations for 72nd Annual Golden Reel Awards
The MPSE has revealed the nominations for the 72nd Annual MPSE Golden Reel Awards, recognizing the year’s finest achievements in sound editing, sound design, music editing, and foley artistry.
Movie and TV Nominations
Outstanding Achievement in Sound Editing – Broadcast Animation
- Jurassic World: Chaos Theory: “Into The Fog” (Netflix) – Supervising Sound Editors: D.J. Lynch, Rob McIntyre MPSE; Sound Designers: Adam Cioffi, Jeff Halbert; Sound Effects Editor: Marc Schmidt MPSE; Dialogue Editor: Anna Adams; Foley Editor: Erika Koski; Foley Artists: Iris Dutour, Sanaa Kelley MPSE
- LEGO Star Wars: Rebuild The Galaxy: Part Two (Disney+) – Supervising Sound Editor: Jeff King; Supervising Foley Editor: Frank Rinella; Foley Editor: Shaun Farley MPSE; Foley Artist: Margie O’Malley
- Secret Level: “Warhammer 40,000: They Shall Know No Fear” (Amazon Prime) – Supervising Sound Editors: Brad North MPSE, Matt Yocum MPSE; Sound Designers: Joseph Fraioli, Nolan McNaughton MPSE, Ryan Sullivan; Sound Effects Editors: Chris Battaglia MPSE, Harry Cohen MPSE; Foley Editors: Matt Manselle, Matt Telsey; Foley Artist: Brian Straub
- Star Trek Prodigy: “The Devourer of All Things, Part II” (Netflix) – Supervising Sound Editor: Otis Van Osten; Supervising Foley Editor: Aran Tanchum; Sound Designer: Matt Klimek MPSE; Dialogue Editor: Michael Wessner MPSE; Foley Artist: Vincent Guisetti
- Transformers: Earthspark: “Judgment Day: Part 2” (Nickelodeon) – Supervising Sound Editor: Brad Meyer MPSE; Sound Effects Editors: Natalia Saavedra Brychcy MPSE, Mia Perfetti MPSE; Dialogue Editor: Christine Gamache; Foley Editor: Carol Ma MPSE
- X-Men ’97: “Fire Made Flesh” (Disney+) – Supervising Sound Editor: Jonathan Greber; Sound Designer: Kyrsten Mate MPSE; Sound Effects Editors: Jonathon Stevens, David Acord, Cameron Barker; Supervising Foley Editor: Jeremy Molod
Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR
- Lioness: “Beware the Old Soldier” (Paramount+) – Supervising Sound Editor: Danika Wikke MPSE; Dialogue Editor: Thomas Boykin; Music Editor: Ben Zales
- Masters of the Air: Part Nine (Apple TV+) – Supervising Sound Editors: Jack Whittaker, Michael Minkler; Supervising Dialogue/ADR Editor: Dave McMoyler; Supervising ADR Editor: Michele Perrone; Dialogue Editor: Michael Hertlein; ADR Editors: Jim Brookshire MPSE, Bryan Parker MPSE
- The Penguin: “Cent’Anni” (HBO MAX) – Supervising Sound Editors: Rich Bologna, Lawrence Zipf; Supervising ADR Editor: Angela Organ; ADR Editor: Tony Martinez; Dialogue Editor: Michael McMenomy
- Ripley: “V LUCIO” (Netflix) – Supervising Sound Editors: Michael Feuser, Lawrence Zipf; Sound Designer: Lawrence Zipf; Supervising ADR Editor: Lidia Tamplenizza; Dialogue Editor: Michael McMenomy
- Shōgun: “Ladies of the Willow World” (FX) – Supervising Sound Editor: Brian J. Armstrong MPSE; Sound Editor: Damon Cohoon; Dialogue Editor: John Creed MPSE; ADR Editor: Ayako Yamauchi MPSE
- Slow Horses: “Hello Goodbye” (Apple TV+) – Supervising Sound Editor: Joe Beal; ADR Editor: Sophie Mapplebeck; Dialogue Editors: Duncan Price, Abbie Shaw
Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley
- House of the Dragon: “The Red Dragon and the Gold” (HBO MAX) – Supervising Sound Editor: Alastair Sirkett MPSE; Sound Designer: Paula Fairfield MPSE; Sound Effects Editors: Martin Cantwell, Ruth Knight; Foley Editor: Mathias Schuster; Foley Artists: Rebecca Glover, Barnaby Smyth
- The Lord of the Rings: The Rings of Power: “Doomed to Die” (Amazon Prime) – Supervising Sound Editors: Ben Barker, Glenn Freemantle MPSE; Supervising Dialogue Editor: Emilie O’Connor; Foley Editor: Paolo Pavesi; Foley Artists: Zoe Freed, Rebecca Heathcote
- Masters of the Air: Part Five (Apple TV+) – Supervising Sound Editors: Michael Minkler, Jack Whittaker MPSE; Sound Designers: Luke Gibleon MPSE, Jeff Sawyer; Sound Effects Editors: Zach Goheen MPSE, Paul B. Knox, Adam Kopald; Foley Artists: Dylan Tuomy-Wilhoit MPSE, Jeffrey Wilhoit MPSE
- The Penguin: “After Hours” (HBO MAX) – Supervising Sound Editors: Rich Bologna, Lawrence Zipf; Sound Effects Editors: Diego Perez MPSE, Wyatt Sprague; Supervising Foley Editor: Matt Haasch; Foley Artist: Gareth Rhys Jones
- Ripley: “III Sommerso” (Netflix) – Supervising Sound Editors: Michael Feuser, Lawrence Zipf; Sound Designers: Bill R. Dean MPSE, Angelo Palazzo MPSE, Lawrence Zipf; Foley Editor: Igor Nikolic; Sound Effects Editors: David Forshee MPSE, Wyatt Sprague; Supervising Foley Editor: Matt Haasch; Foley Artists: Sandra Fox, Steve Hammond, Goro Koyama, Andy Malcolm, Jay Peck
- Shōgun: “Broken to the Fist” (FX) – Supervising Sound Editor: Brian J. Armstrong MPSE; Sound Designers: Benjamin L. Cook MPSE, James Gallivan; Sound Effects Editor: Mark Hailstone; Foley Editor: Ken Cain MPSE; Foley Artists: Sanaa Kelley MPSE, Matt Salib
Outstanding Achievement in Sound Editing – Broadcast Short Form
- Baby Reindeer: Episode 7 (Netflix) – Supervising Sound Editor: Matt Skelding MPSE; Sound Designer: Tom Jenkins; Dialogue Editor: Mark A. Keatts; Dialogue Editors: David M. Cowan, Kelly Foley Downs, Michael Garcia MPSE; Foley Editor: Jordan McClain; Foley Artists: Sanaa Kelley MPSE, Matt Salib
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
- Apollo 13: Survival (Netflix) – Supervising Sound Editor: Paul Darling; Sound Editor: Greg Gettens; Foley Editor: Olly Freemantle; Foley Artist: Rebecca Heathcote
- The Beach Boys (Disney+) – Supervising Sound Editor: Jonathan Greber; Sound Effects Editor: David Chrastka
- Fly (National Geographic) – Supervising Sound Editor: Eli Cohn; Sound Effects Editor: Jack Sasner; Dialogue Editor: Ben Chesneau
- Formula 1: Drive to Survive: “Forza Ferrari” (Netflix) – Supervising Sound Editors: Nick Fry, Steve Speed; Sound Supervisors: Doug Dreger, Adam King; Sound Designers: Tom Maclellan, James Spooner
- Jim Henson Idea Man (Disney+) – Supervising Sound Editors: Daniel Timmons, Tony Volante; Sound Designer: Jeremy S. Bloom; Sound Editor: Kelly Rodriguez; Dialogue Editor: Ian Cymore
- Steve! (Martin) A Documentary in 2 Pieces (Apple TV+) – Supervising Sound Editor: Bob Edwards; Sound Designer: Pete Horner; Sound Effects Editors: Kim B. Christensen, Joel Raabe MPSE
Outstanding Achievement in Sound Editing – Non-theatrical Feature
- Atlas (Netflix) – Supervising Sound Editor: Per Hallberg MPSE; Supervising Sound Designer: Ann Scibelli; Sound Effects Editors: Eric A.